Impress

Wolfgang Amadé Mozart
Requiem d minor KV 626

ACC 68645 ; recorded 1986-08-06 ; published 1994-07-01

Wolfgang Amadé Mozart (1756 - 1791):
Requiem in d minor KV 626

Ingrid Schmithüsen, soprano
Catherine Patriasz, alto
Neil Mackie, tenor
Matthias Hölle, bass
Nederlands Kamerkoor
La Petite Bande

Sigiswald Kuijken, conductor

Marin Marais
Pièces de Viole du Cinquième Livre

ACC 10044 ; recorded 1987-03-01 ; published 2007-05-01

Tracklist

Marin Marais (1656 - 1728):

Suite g minor
1 Prélude
2 Fantasie
3 Allemande "La Marianne"
4 Sarabande
5 Gigue "La Pagode"
6 Le Tombeau pour Marais le Cadet

7 Chaconne G major

8 Dialogue
9 Le Jeu du Volant
10 Le Tableau de l'Operation de la Taille

Suite in a minor
11 Prélude "Le Soligni"
12 Petit Caprice
13 Allemande "La Facile"
14 Sarabande
15 Grande Gavotte
16 Menuet
17 "La Mariée"
18 Gigue "La Mutine"
19 La Bagatelle
20 Rondeau

21 La Poitevine

Wieland Kuijken, viola da gamba
Kaori Uemura, viola da gamba
Robert Kohnen, harpsichord

Suite in a minor

17 "La Mariée"

MOTETS
Petite Bande, La

Bach, Johann Sebastian

Challenge Classics
SACC 72160

DESCRIPTION

Vocal Ensemble
Soprani : Inge Van de Kerkhove, Marie Kuijken
Alti : Petra Noskaiová, Patrizia Hardt
Tenori : Stefan-Alexander Rankl, Jens Weber
Bassi : Jan Van der Crabben, Stephan Schreckenberger

Instrumental Ensemble
Strings :
Sigiswald Kuijken, violin & direction
Sara Kuijken, violin
Masanobu Tokura, violin/viola
Marleen Thiers, viola
Koji Takahashi, cello

Winds :
Patrick Beaugiraud, oboe
Natalia Alves Chahin, oboe da caccia
Ann Vanlancker, oboe da caccia
Rainer Johannsen, bassoon

Basso continuo :
Tom Devaere, violone
Frank Agsteribbe, organ

J.S. Bach's motets are the indisputable summit of his output. Traditionally the motets have been placed at the centre of his choral universe.Choirs can show off their technical brilliance, and moreover these scores are a joy to perform regardless of one's style of interpretation. However, for the last 25 years musicians and musicologists have subjected the importance of Bach's choirs to a fundamental review. The current research points out that Bach himself almost never had more than eight singers at his disposal (even for double-choir pieces). This is far away from the usual more or less large choirs for the great choral works. This research has been the source of inspiration for this production of the Bach motets to use only one singer per part. The result delivers an unusual transparency and clarity of the musical lines. (The 4-part Motet Lobet den Herren, alle Heiden has not been included in this recording because of serious doubts about authorship.)

http://www.challenge.nl

Bach, Johann Sebastian
Messe H-Moll BWV 232

Deutsche Harmonia Mundi
GD77040-2-RG ; recorded Feb 1985 ; published 19956-12-26
Total Playing Time: CD1 55:05 ; CD2 56:23

Johann Sebastian Bach (1685-1750)
Messe H-Moll BWV 232

ISABELLE POULENARD soprano
GUILLEMETTE LAURENS mezzo-soprano
RENE JACOBS altus
JOHN ELWES tenor
MAX VAN EGMOND,HARRY VAN DER KAMP bass
1.Violins: SIGISWALD KUIJKEN, Giovanni Grancino (Milano,ca.1700)
ALDA STUUROP, Domenico Montagnana (Venezia 1730)
FRANCOIS FERNANDEZ, David Rubio (1984)nach Guarnerius
MARIE LEONHARDT, Jacob Stainer (Absam 1676)
2.Violins : STAAS SWIERSTRA, Schule con Storioni (ca.1775)
NATSUMI WAKAMATSU, Petrus Antonius Malvolti (Firenze 1709)
ENRICO GATTI, Laurentius Storioni (Cremona 1789)
Violas :
RUTH HESSELING, Sympertus Niggeli (Fnssen 17)
MARLEEN THIERS, anonym (Norditalien,Ende 17.Jahrhundert)
Cellos :
RICHTE VAN DER MEER, Jacques Boquay (Paris 1719)
RAINER ZIPPERLING, anonym (Italien, 18.Jahrhundert)
Double Bass :
NICHOLAS PAP, Giovanni Battista Risegnato (..odami,17.)
Traverse Flutes :
BARTHOLD KUIJKEN, Godefroid-Adrien, Rottenburg (Brussel, ca.1750)
DANIELLE ETIENNE, Adrien Weemals (1979) Kopie nach Godefroid-Adiren Rottenburg
Oboes and Oboi d'Amore :
MICHEL HENRY, Taka Hazegawa,nach J.Denner/Marcel Ponseele,nach Eichentopf
MARCEL PONSEELE, Marcel Ponseele,nach Thomas Stanesby/dto.nach Eichentopf
TAKA KITAZATO, Taka Hazegawa,nach J.Denner
Bassoons :
DANNY BOND, Piet de Koning (1983),nach Prudent
DONNA HYRY AGRELL, idem
Corno da Caccia :
CLAUDE MAURY, Thierry Bantuelle (1985)/nach Friedrich Ehe (Nnrnberg)
Trumpets :
FRIEDEMANN IMMER, Meinl & Lauber (Geretsried 1976)/nach einem alten Modell
KLAUS OSTERLOH, idem
KAY IMMER, Josef Monke (Koln 1980)/nach einem alten Modell
Positive Organ :
GLEN WILSON, Hans Elbertse (Soest,Nederland,1983)
Timpani :
PIERRE DEBOECK, anonym (+sterreich,Mitte 18.Jahrhundert)

Collegium Musicum Van De Nederlandse Bachvereniging - La Petite Bande
Dir. Gustav Leonhardt

CD I

01 Chor- Kyrie eleison
02 Duetto- Christe eleison

Bach - Six suites pour violoncelle BWV 1007-1012

Disque : 1
   
1. Suite N°1 En Sol Majeur, Bwv1007  I Prélude

Bach, Johann Sebastian
Cantatas for the complete liturgical year Vol.II
Cantatas BWV 177 - 93 - 135

ACC 25302 ; recorded 2005-07-01 ; published 2006-01-01

Tracklist

Johann Sebastian Bach (1685-1750):

Cantatas for the complete liturgical year Vol. II

Cantata BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
4th Sunday after Trinity

Cantata BWV 93 "Wer nur den lieben Gott lässt walten"
5th Sunday after Trinity

Cantata BWV 135 "Ach Herr, mich armen Sünder"
3rd Sunday after Trinity

Siri Thornhill, soprano
Petra Noskaiová, alto
Christoph Genz, tenor
Jan van der Crabben, baritone

La Petite Bande
Dir. Sigiswald Kuijken

Cantata BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
4th Sunday after Trinity

3. Aria (soprano): "Verleih, dass ich aus Herzensgrund"

Bach, Johann Sebastian
Cantatas for the complete Liturgical Year Vol.I
Cantatas BWV 98 - 180 - 56 - 55

ACC 25301 ; recorded 2004-10-01 ; published 2006-01-01

Tracklist

Johann Sebastian Bach (1685-1750):
Cantatas for the complete liturgical year Vol. I

Cantata BWV 98 "Was Gott tut, das ist wohl getan"
21st Sunday after Trinity

Cantata BWV 180 "Schmücke dich, o liebe Seele"
20th Sunday after Trinity

Cantata BWV 56 "Ich will den Kreuzstab gerne tragen"
19th Sunday after Trinity

Cantata BWV 55 "Ich armer Mensch, ich Sündenknecht"
22nd Sunday after Trinity

Sophie Karthäuser, soprano
Petra Noskaiová, alto
Christoph Genz, tenor
Dominik Wörner, bass-baritone

La Petite Bande
Dir. Sigiswald Kuijken

Cantata BWV 98 "Was Gott tut, das ist wohl getan"
21st Sunday after Trinity

01.Chorale: Was Gott tut das ist wohlgetan

J.S.Bach - La Petite Band · S.Kuijken - Cantatas for the complete Liturgical Year

Das Wohltemperirte Clavier

24 Preludes & Fugues BWV 870-893 [167:24]
Interview of Michael Oliver w/ Rosalyn Tureck [6:02]
 
Rosalyn Tureck (Piano)
 
BBC Legends
1976
3-CD / TT: 173:26
 
2nd Recording of WTC2 by R. Tureck. Recorded at BBC Concert Hall Studios, London.

CD I

01.Prelude No. 1 in C major, BWV 870

 至尊日波益西仁波切弹奏曼陀铃 弟子克宇吉他伴奏

Historical Anthology - The Bach Guild 

Period V: THE BAROQUE (Late)
Category F: Johann Sebastian Bach
Sub-category 1: Works for Keyboard
Musicological Advisor: Martin Bernstein,
  Prof. Emeritus of Music,
  New York University

Sources: Autograph in Berlin Deutsche
  Staatsbibliothek, Mus. Ms. Bach P200,1749-50.
  In notes below, Gr. indicates W. Graeser,
  Breitkopf & Hartel, Leipzig, 1927; D. indicates
  Hans T. David, Peters, Leipzig, 1928.
Editions: Prepared by Gustav Leonhardt

JOHANN SEBASTIAN BACH

                              ART OF FUGUE

CD I

01.Simple Fugue(Gr.I, D.I)                         5:11

02.Simple Fugue—theme inverted             3:30
     (Gr.III, D.II)
03.Simple Fugue(Gr.II, D.III)                     3:37
04.Simple Fugue—theme inverted             7:26
     (Gr.IV, D.IV)
05.Fugue in contrary motion (Gr.V, D.IX)   4:07
06.Double Fugue in the 12th (Gr.IX, D.VI) 2:48
07.Double Fugue in the 10th (Gr.X, D.VII) 5:15
08.Fugue in contrary motion, with             4:06 
    diminution (Gr.VI, D.Χ)
09.Canon in the 10th (Gr.XIV, D.VIII)         6:38
10.Fugue in contrary motion,                     5:08
     with double augmentation (Gr.VII, D.ΧI)
11.Canon in the 12th (Gr.X111, D.V)          1:58

TT: 49:56

CD II
 
01.Canon in the octave (Gr.XII, D.XII)       2:31

02.Triple Fugue—three voice                     5:46
     (Gr.VI11, D.XIII)
03.Triple Fugue—four voice (Gr.XI, D.XIV)  6:47
04.Canon in contrary motion,                    3:18
     by augmentation (Gr.XV, D. XV)
05.Mirror Fugue (Gr.XVIIIa., D. XVI)           3:04
06.Mirror Fugue—inverse of 05                  3:12
     (Gr.XVIIIb., D. XVII)
07.Mirror Fugue (Gr.XVI a., D.XVIII)           2:39

08.Mirror Fugue—inverse of 07                  2:42
     (Gr. XVIb., D.XIX)
09.Unfinished Fugue, on BACH                   6:46
     (Cr. XIX, D. XX) 

TT: 37:00

Gustav Leonhardt, harpsichord

Producer. Seymour Solomon
Engineer Mario Mizzaro
Digital Remastering: David Baker
Art Direction: Fred Holtz
© & © 1993 Omega Record Group, Inc.
27 W. 72nd Street, New York, NY 1(()23 Printed in USA
REMASTERED USING B & W MATRIX 801 LOUDSPEAKERS

Bach, Johann Sebastian
Oboe concertos

ACC 24165 ; recorded 2004-04-01 ; published 2005-03-15

Tracklist

Johann Sebastian Bach (1685-1750):

Oboe concertos

Concerto in F-major for oboe, strings and basso continuo BWV 1053a
1 Allegro
2 Siciliano
3 Allegro

Concerto in c-minor for oboe and violin, strings and basso continuo BWV 1060a
4 Allegro
5 Adagio
6 Allegro

Concerto in A-major for oboe d'amore, strings and basso continuo
BWV 1055a
7 (Allegro)
8 Larghetto
9 Allegro man non tanto

Concerto in d-minor for oboe, strings and basso continuo BWV 1059R
10 Allegro
11 Adagio
12 Presto

Gustav Mahler:
13 "Ich bin der Welt abhanden gekommen"
arranged for oboe da caccia, strings and harpsichord by Marcel Ponseele

Marcel Ponseele, oboe / oboe d'amore / oboe da caccia
Ryo Terakado, violin

Il Gardellino

Concerto in c-minor for oboe and violin, strings and basso continuo BWV 1060a

4 Allegro

在贝加尔湖草原上 - 电影《西伯利亚交响曲》插曲

歌词大意：

在贝加尔湖荒凉的草原，
在群山里埋藏着黄金。
流浪汉背着粮袋慢慢走，
他诅咒那命运的不幸。

他身上那破烂的衣衫，
缝着许多大小的补丁。
头上还戴着一顶破帽，
身穿监狱的灰色长衣。

为真理曾受尽了折磨，
在黑夜里逃出了监牢。
当他行走得筋疲力尽，
贝加尔湖展开在面前。

流浪汉他走到了湖滨，
踏上渔船开始了航行。
他独自在忧愁地歌唱，
叙述着祖国的苦难。

那微风在轻轻地说道，
流浪汉，你逃跑也枉然。
苦命人已不感到痛苦，
人世间他已受尽磨难。

流浪汉他渡过贝加尔湖，
年老的母亲迎接着他。
“啊，你好，亲爱的母亲！
父兄们可过得安宁？”

“你父亲早长眠在地下，
一抔黄土掩埋着他。
你兄弟已锁上了铁镣，
被流放到西伯利亚……”